Tag Archives: writing

Goodbye to all that…

Salt's Last Stand...

Salt’s Last Stand…

‘So. Farewell then / Salt poetry books / With your lovely jackets …’

This is an interesting post. Please go and read it. Sonofabook is a blog posted by Charles Boyle of CB Editions, a rare, oftentimes esoteric, but always interesting independent publisher that I greatly admire, responsible for some wonderful books that adorn my library (and have been read, I hasten to add––they’re not just a pretty face) such as…

This is my (edited and added to) response.

How about self-publishing, but working with a shit-hot editor and yes, the author would have to pay for the editor’s services, and yes, have to pay for the printing, and yes, then market/promote the book, but with ref to one of your (CB’s) other posts, could achieve quite a lot of that for the price of a stately-home course? I’ve looked into it so I know.
I do believe there is a lot of good poetry out there that doesn’t/will not see the light of day and some poets may just be quite good at selling/promoting their own work.
The poetry world has always been quite snotty about self publishing––it’s only recently ceased to be called ‘vanity publishing.’ Perhaps we need to get over it. People (the general public) do love poetry and fall upon it eagerly during those emotional (sometimes terrifying, sometimes sublime) beyond ‘normal’ situations which we all, at various points in our lives experience, but often not the kind of poetry honoured, praised and published by the so-called intellectual poetry hierarchy, (think Poetry on the Underground, and the Bloodaxe “Being Alive’ etc Collections, to name a couple of BIG successes, think some of the stuff the Poetry Society and PN Review etc puts out, in contrast.)
I don’t see why poetry is the only literary form that feels it has to remain solely the property of the intellectual. None of the other forms are so prescriptive and I do believe there is room for different genres within the blanketing arm of ‘Poetry’. ‘Popular’ doesn’t have to mean of lower quality, simplistic, sentimental, or badly written.
On another note I’m often amazed at how many poets do not read poetry, how many writers submit to magazines that they themselves never bother to subscribe to (often claiming poverty as a reason––chicken and egg two words that spring to mind perhaps, but…) and, as you (CB) say, how few books generally people actually read.
What if we stop worrying about commerciality and money and returns and think instead about tapping into resources and individuals who do have money, as people used to in days gone by, and also, poets accepting they can’t expect to make a living by ‘it’ alone?
Lots to discuss, think about, even, perchance do…

If I’m going to invest my not-particularly-considerable-but-worth-doing-something-worthwhile-with-from-a-too-long-life-in-a-very-commercial-business-surely money, I’m thinking I need to set up a small-but-perfectly-formed-not-for-profit-but-hope-to-break-even-in-it-for-the-love press. What say you?

Writing about not writing… Or… On wanting to ‘cut it’…

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Me… Looking remarkably carefree…

Because I’m rather in the doldrums of late. Somewhat lost. Not sure why. Think it’s a phase. Hope it’s a phase.

I think, perhaps, it’s a phase that many/most writers go through––when everything they’ve written suddenly/exasperatingly/depressingly, reads like shit/crap/worthless schmuck/dog-poo/not-up-to-the-markness.

Perhaps it’s down to the extensive reading I’ve been filling my days and nights with recently. The gap between the excellence of what I’ve read and my own paltry efforts yawns SO large I’m unsure how to bridge it, or whether I can. And if I can’t…

I only know this: I do not want to be mediocre. I want to move people (readers) as much as I am/have been moved. Nothing else will do. OK will not suffice. OK does not cut it. My writing does not cut it. And I want it to cut it.

But… I’ve attended some great workshops/events recently, which have/are (I think) helping. Here’s a round-up…

Mario Petrucci Workshop for South Leicester Stanza:

Thanks to Charles Lauder for organising and Nicky Lauder for the pics, the amazing pear and ginger muffins and that spinach/feta filo tart… Yum.

16 ways into writing.

Understanding that moment when one feels the ‘muse’ rumble, then take hold, in order to (possibly) learn to emulate (ideally at will) that moment, so one can enjoy and realise the spark of creativity, tap into one’s subconscious, use it, and then (hopefully) summon it when one has (at some point) a writing window.

Waiting. Holding off the moment of writing. Allowing the thoughts/images/ideas to burgeon, expand, develop, brew, fledge, birth.

Resistance can be a key to unlocking creativity.

Mario and I (I sat next to teacher) wrote these Haiku(ish)s

MP and LWW Haiku

MP and LWW Haiku

Don’t know what they are… But they’re here/there.

Mario is an engaging teacher. Generous. Well prepared. Hard working. I really enjoyed the workshop. I now have several beginnings in my notebook and some worthwhile ideas to mull over. Inspiring.

I’m reading his

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Note: the beautiful cover is Mario’s own artwork, painted after a particularly vivd dream he had. He’s a bit of a polymath me thinks… Here is one from the collection:

i rather love

.

not things but

what lies behind

these the way a year

.

is sometimes glimpsed

past ear of corn or

december

.

come

out of blue to

one who knew only

.

sun – perhaps such

are best unsaid

so all might

.

speak of

corn & sky or

strip decembers

.

down to black-

scaffold

trees

.

where

life sings &

sings to death each

.

silenced thing

.

Word Factory Seminar with Michelle Roberts and Adam Marek, hosted by Cathy Galvin and Carrie Kania, at the Society Club Book Shop, Soho, London.

I’m in love with this book shop which is so much more than a bookshop, head-over-heels with this space/place… It’s all black painted wood, dim corners hiding erotica, alcoves stuffed with rare first editions, shelves stacked with personally selected volumes, vaguely decadent, wonderfully aspirational and inspirational. it seeths with intellect, instills curiosity, encourages investigation and smells like some kind of spirit I want to be a part of, want to ingest. Deeply.

Michelle Roberts had us writing almost immediately. About Us. About sex. Fearlessly. And we read. And we laughed. And we cried. We were moved.

Adam Marek was gentle and kind and funny and interesting and he shared and informed.

Carrie Kania was wise. She was ascerbic. And witty. And trenchant. And informative.

Cathy Galvin was lovely. Welcoming. And facilitating. Someone you are glad to have met.

Included in the course was a critique of a piece of writing and the comments I received from both Cathy and Carrie were considered, useful and thought provoking.

Also included was a goody bag containing among other things this FANTASTIC short story collection. These are some of my favourite short stories, ever. They are funny, wise, powerful, emotionally true and some of them made me cry. Try them if you haven’t already, and enjoy.

If I loved you, I would tell you this by Robin Black

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It was a very good day. I recommend the venue, the sensibility, the content, and if there’s another I’ll want to be there.

Lionel Shriver at The Word Factory:

(Thanks to The Man for the pics…)

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At 6.30 the wine was opened, cocktails proffered and Ms. Shriver arrived. We were much honoured, for she can command far bigger audiences. She was friendly, open, willing to engage and therefore thoroughly engaging. I enjoyed her readings, the talk, Cathy Galvin’s intuitive questioning, and the informative Q and A afterwards. She read from her new book, Big Brother, (which I purchased of course) and later treated us to her excellent short story Prepositions from the Waterstone’s Red Anthology (a perfectly formed, beautifully textural and handsome volume) edited by Ms Galvin, which begins thus:

September 9, 2011

Dear Sarah, 

I apologise for the formality of a letter, but I can’t trust myself to get this out over a glass of wine, especially while still unsure what I want to say.

Trust that I’ve treasured your friendship always. On that hilking trip through the Sinai desert when we all met, what brought our two couples together was a shared disinclination to complain. Other tourists whined ceaselessly about the heat and the food, but we four were intrepid. When you broke out in suppurating cold sores from too much sun, despite the injury to your vanity you trooped on as if nothing were the matter. Consequently, I’d hate for this letter to seem a complaint––but then, maybe it is a complaint.

Your husband died in 9/11. My husband died on 9/11. So much has ensued from these prepositions, a single one-letter variation in the alphabet…

Do, please, buy (both) the book(s) and read on.

What I love about Ms Shriver is her quiet erudition, her fierce intellect, her unflinching honesty, her wry sense of humour and her pride in and dedication to her craft.

John Siddique makes the inaugural reading for Leicester University’s Centre for New Writing:

I’ve long been a fan of John’s poetry so it was lovely to meet the man himself and hear him read.

John is an incredible poet who really gives of himself when performing. He read from Full Blood, Recital, Four Fathers and a couple of new ones, both about individual acts of rebellion. I really enjoyed the reading. Dr. Corinne Fowler hosted the evening with a heady mix of intelligence and elegance and invited The Man and I to join John Siddique, the novelist Irfan Master and herself for a beer, a divine helping of Dosas and great conversation. We were lucky enough to catch up with the charismatic Ben Okri (who had been delivering a master class for students and lecturers at the University earlier) in the pub and walked him to the station on the way to the restaurant. What a special night.

Here’s one of my favourites from John Siddique’s Recital:

Other People’s Children

.

He is eight and good at football. His mind

flits blacker and whiter than a magpie

from Playstation to plastic sword, chocolate,

internet, to nothing to do, to slamming the ball.

he has a will of iron. Can bend his mother’s

and my love for him like plasticine;

when he wears his stick on tattoos

in the same place on his shoulders as I have mine,

when he calls me ‘old chappy,’ as we scream

through the air as human aeroplanes.

I want so much to show him the world

I know, make it right for him.

Their Dad shows up every now and then,

it blows this family sideways, the guy ropes

twang off their pegs, until morning comes

and the wind dies down, and he goes off again.

I begin planting and parenting. Applying constancy

at the thin end of myself. But here is the boy

on a Saturday morning, next to me in bed,

hugging his mother and I together,

blowing at my chest hair.

.

Middle Stanley with Leicester Writer’s Club

Our long weekend away in the Cotswolds is an annual event for 16 lucky members, now in its ninth year. This is the second time I have been, and it’s wonderful. We run workshops for each other, we cook and eat together, we walk, we talk, we write, we think, we laugh, we cry (but maybe that was just me,) we drink and then we talk some more.

The house is ancient, elegant in a slightly dilapidated English way, rambling, charming, welcoming and definitely haunted, and the grounds are just so very, very lovely.

It’s special. The whole weekend was special and particularly valuable to me in my present Eeyore-like mood. I was given much good advice, pick-me-up encouragement, wise jewels of experience and general heart-warming friendship.

A weekend to be cherished.

Here’s some beautiful pics from The Man:

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And here’s some pics (of a slightly inferior quality) from me:

FYI The church is the magnificent St John the Baptist in Burford, a gorgeous Cotswold town that also contains a rather lovely clothes shop called Maggie White. A little shopping was done.

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Resolution:

I have realised that having so much time on my hands now that I

  • no longer have a day job,
  • the divorce is almost over,
  • the house-move is completed
  • ailing parents are no longer an all-consuming concern

has thrown up its own set of problems. I am suddenly unsure about what I want to write, how I ought to write, what I should write, whether I can write, and is what I think I want to write about worth writing about.

Also, I have always been used to ploughing through extremely busy days and when I had to fit my writing in around all the above, plus caring for three demanding boy-chiles and two recalcitrant boy-dogs, I managed to be very productive. Now the hours stretch, expand and unfold around me and I am feeling tossed about on a rough and seemingly infinite ocean of hours and then just as suddenly, washed up into some lonely, foetid backwater with only myself for company…

Changes must be made.

In order to encourage an escape from the doldrums these are the things I’m going to try to do (in no particular order:

  • Keep Writing
  • Stop worrying about what I’m writing
  • Be kinder to myself
  • Enjoy life more
  • Restrict my writing to certain times of the day
  • Plan my days better so I fit in; chores, reading, writing and relaxation
  • Take a course of acupuncture to unblock my chakras
  • Try meditation and look at enroling in some classes
  • Resume a meaningful exercise routine
  • Stop feeling frightened
  • Lighten up

Wish me good luck!

1972… Fashion was…

Why did I, or anyone, ever question that I would be a fashion designer?Scan

Scan 3

Scan 5

Scan 6

Scan 7

Scan 9

Scan 11

Scan 13

Scan 15

 

 

 

Found when clearing out my parents stuff

 

A small thought…

The lovely folk at Kumquat Poetry have been good enough to post another of my poems from a collection I’m working on called DressCode.

This is a series of sonnets, numbering 45 so far, all about clothes. They were originally inspired by a workshop with the fantastic John Gallas for Leicester Writing School.

Over many cups of coffee, fags and the odd biccy, John helped me kick some of the early sonnets into shape. Finding this wonderful quote sharpened my focus.

There is much to support the view that it is clothes that wear us,
 not we, them; we may make them take the mould of arm or breast, 
but they mould our hearts, our brains, our tongues to their liking.
Virginia Woolf
You can read the featured poem, Shoes, here…
 

After the thaw

After the thaw

~

Spring’s heralds peep out

from dark hopeful earth, pure white

beacons shining bright

~

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In Tranquility

It was the morning after
you told me:
in the midst of last night’s tantrum
I dashed your camera to the floor.
                .
Consulted over its purchase,
(my role as assuager of guilt
a pre-requisite,)
aware of its merit,
               .
I replaced it of course.
Dwelt on it no more
until I saw the photograph.
That sweet light planing an upturned chin.
               .
Only then did I question
the force in the sweeping arc
of my fist,
the integrity of my subconscious.
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